HITLER in VIENNA

THE HIGH AMBITIONS OF AN UNDERDOG

When Klara Hitler died in December 1907, it was a terrible shock for
her son Adolf Hitler. Family doctor Bloch testified that he never met
such a desperate soul in his career. Hitler spent the last weeks of
Klara by her side, tending to her with great care and affection.

Klara was buried on Christmas eve and she was given an expensive
burial. Without doubt, it was a very sad and somber day in Hitler's
life. A few days later in 1908, the 18 year old Hitler left home and his
two sisters, Angela (26) and Paula (13) and went to Vienna to find
some means of survival. The young man is then 18 years old and is
1.74m (5.8inch.) tall, a respectable height for his time. Johannah
Poezl, Klara's hunchback sister, took over the role of housewife.
Once again, Hitler was determined to try his luck at the Academy of
Fine Arts. He even had a letter of recommandation to Pr. Roller,
Director of Scenery at the Imperial Opera, written by Frau Johanna
Motloch in Vienna who was an acquaintance of the housewife of the
place where the Hitler's family now lived, a certain Magdalena
Hanish. Hitler thanked in a letter from February 10th 1908 but he
never used it, probably out of pride or maybe of lack of confidence in
his own ability to persuade the man that he was worth his artistic
ambitions. The same day he applied for orphan's allowance at the
Revenue District Office; the law stipulated that orphans up to the age
of 24 were entitled to receive one half of the maternal widow's
pension, in this case 50 Kr/month, understanding they would attend a
school. It was granted and Hitler left for Vienna, capital of the
Austro-Hungarian empire,  with this little pension :  he would not see   
Paula again  until 1921.
                                                 Life with Kubizek

He spent the major part of 1908 in Vienna with his friend Kubizek (picture below) who
was attending the lessons of the Music Academy, pretending to him that he had made
the test in 1907. But as he spent all his time in their common room in Stumpergasse at
Mrs. Zakrey's, Kubi eventually asked questions and in an outburst of anger Adolf
admitted to the deception and started blaming those "stupids teachers at the
Academy." Always good friend, Kubi got over it and they stayed in Vienna until Music
School recess : Hitler even started to write the Libretto of an Opera composed by Kubi
and unfinished by Wagner in exile in Paris in 1850 : "
Wieland der Schmidt" (sic). After
some weeks of painful writing, he gave up. At that time, his expenditures in Vienna ran
to 80-90 Kr. per month therefore dwindling his savings by 65 Kr./month.
In July 1908, August Kubizek returned to Linz to his family home
and it is the last time he saw his good friend Adolf. In early October,
Hitler took once more  the Art Academy test and once more failed :
the records of the Academy mention "A.HITLER, NOT ADMITTED TO
THE TEST." Undeterred by this failure, Hitler demanded a private
audience with the Director who told him frankly he had apparently
a greater disposition for architecture and advised him to apply to
this section of the Academy.

Hitler was refused to take the Architecture test, not because of his
insufficient talents but simply because he had not graduated from
Oberrealschule and, thus, did not qualified to take the exam. To be
admitted to take the test, candidates had to certify from a course
of construction techniques that was not very difficult but that was
only open to candidates with a Oberrealschule diploma. "All that,
wrote Hitler in Mein Kampf, was lacking in my resume and it then
seemed obvious to me that I could not achieve my dreams."
            
                                         "
Nothing in Austria without letters of introduction"

Curiously enough, Hitler never made use of a letter of recommendation from a Frau Johanna
Motloch who introduced him to one of Vienna's best known stage designers, Alfred Roller. On
February 6, 1908, Roller answered personally to his friend Johannah Motloch pointing out that
"Young Hitler can meet me every day in my office at.... Should I happen not to be in the office, the
servant will call me by phone...."

Hitler never met Roller. He went as far as replying a long letter of thanks to Frau Motloch but he
never dared to knock at the door of Roller. Did he fear at the last minute he would not impress
enough the stage designer ? Years later he would comment: "One got absolutely nothing in Austria
without letters of introduction." A lie. He did not try. His rejection was the sanction of his usual
truancy from school in Linz and Steyr and his tendency to reject both the school system and
serious studies. Everything has a price and Hitler paid dearly for these facts: his main problem was
that he always refused to play by the rules.

In consequence, his failure to be admitted to the Academy struck him "like the lightening."
Furthermore, it put him in the position of being labeled a misfit, a maverick, and, in a word, an
outcast. Maybe, in the end, it is this image of himself that Hitler preferred to nourrish : an outcast. In
1934, on Hitler's recommandation, Alfred Roller staged "Persifal" in Bayreuth, Strauss conducting.
Hitler sat next to roller and told him the story of his turn-around. When his friend Kubizek came
back from his vacations in Linz, Hitler had left the pension without a word for his pal, incapable to
face the music and to tell him he had once more failed the test. He never saw his good friend until
1938.

Kubizek continued his studies : he graduated in 1912 and was hired as second conductor at the city
theater at Marburg-on-the-Drau. He was geared towards a great career but during WW1 he
contracted a serious disease infection and his good health was almost ruined : after the war, he
became a private tutor and municipal secretary in Eferding near Linz. He never became the great
conductor he had longed for. In April 1938, he met again with Hitler in Linz and the Fuehrer helped
him to finance his sons' education ; he was asked by Martin Bormann to write his souvenirs of his
life with the Fuhrer. He produced some 150 pages called "Reminiscences" that were not published
and were stucked in the NSDAP's archives. In 1940, they met again in Bayreuth and in 1942 he
became director of propaganda and regional manager of the "Kraft durch Freude" program of
Robert Ley. After WW2, he was kept in jail during 17 months by the Allies -because of this late
appointment- was released and in 1953 published a very much edited version of the NSDAP draft
called in its German version "Adolf Hitler, friend of my youth" (1).
It was a huge success but the book was later attacked by critics and
other authors as "inexact and biaised", notably by an ex-priest
named Franz Jetzinger who had worked with Kubizek earlier. In
1956, Jetzinger published a second hand account of Hitler's life in
Vienna but was jealous of the success of Kubizek's version and did
his best to discredit it : he claimed that Kubizek's book was full of
false statements and a glorification of Hitler. Unfortunately, the
historians believed Jetzinger and distrusted Kubizek's account.
Kubizek died the same year and could not defend himself. Actually,
even notably edited, his records of Hitler's life in Vienna are quite
accurate and credible. Poor Kubizek was a very nice friend but not
very lucky as a person. It is the Jetzinger's version that launched the
fiction of Hitler's indifference during the terminal illness of his
mother : it is a pure lie that has been passed down generations for
decades.     

In November 1908, Hitler left Stumpergasse and took a lodging in #22
Felberstrasse at Frau Helene riedl with enough money to live one
year. He had borrowed some 500 KR from his aunt, the hunchback
Johannah, and he stayed there until August 1909 when he moved to
#58 Sechstrauserstrasse with Frau Antonia Oberlechner when most
of his savings were gone : he had just his 25 Kr. monthly pension to
live on.

At that time, the income of a district doctor was about 2500 Kr/year
minus an income tax of 36 Kr. Later in 1911 as he was making a sort
of regular income with his paintings, he had to relinquish it because
his half-sister Angela demonstrated in Court that she was in charge
of their younger sister Paula and she should have that money. One
month later, he was broke and he went through the worst moments
of his miserable life in Vienna. In 1910, he joined the legions of the
poor. Hitler found a job as a painter on construction sites but he
rapidly grew weary of the duress of the work and fell out with his
colleagues, who were not impressed by his long speeches, his
tirades against the Communists and his hatred for the
Social-Democrat policies which he said were "duperies of the
people."
                               Arrogant vociferations and political tirades

Most of his colleagues were convinced Socialists, unionists or members of the Party, they had
better political training and understanding than Hitler, and they had no difficulty making him shut
his mouth or making fun of him. Hitler could not stand to be derided like this. He was totally
unprepared to deal with the realities of the working world, the perils of dangerous scaffoldings,
the brutal simplicity of the Marxist doctrine and the rude fraternity of the working classes. Even
rejected by the Visual Arts, he still looked at himself as a great artist and he felt a total stranger
to this world, even if he had started to develop a social conscience that would later bring him to
create a National-Socialist party (NSDAP).

Eventually Hitler irritated so much his colleagues on the sites that they threatened to push him
down the scaffoldings if he did not stop bothering them with his arrogant vociferations and his
political tirades. Furthermore his refusal to join the union cut him off from the last sympathizers:
it was the end of Hitler the bricklayer and the beginning of Hitler the thinker, a pompous
autodidact full of prejudices, keen on socio-political rantings that will one day become the Nazi
doctrines; "this is a new philosophical conception of the world", as Hitler wrote without modesty
or complex in Mein Kampf.
In her book, "Hitler's Vienna", Brigitte Hamman denied the likeliness of this bricklayer episode. She argues that no sensible foreman
would have hired a frail guy like Hitler for jobs which were exhausting and required heavily built young men and she thinks the whole
narration of his house painter's experience in Vienna in Mein Kampf is a myth forged by Hitler himself.

I doubt it and there is no reason not to believe Hitler had a short and unsuccessful time as a brickalyer or a house painter. The job does
not particularly required athletes. Anyway, the months that followed were extremely difficult; Hitler lived the existence of a Viennese
bum, experienced the joys of begging for food and shelter. He was at a total loss, did not know whom to turn to nor where to go or what
to do with himself. He wandered from one boarding house to another, from a shabby bar to a political meeting like a desolate soul. Hitler
had no plan, no project, and no future. He did not even dare to have a hope to recover from his misery.
                    Calling on Kathie

He lived in the streets for some time before drifting to a homeless
shelter in Meidling  (picture) , a nite asylum for destitute people
that opened in 1908 : Meidling, as it was known, was run by the
Shelter Association for the Homeless, almost exclusively financed
by private donations and supported by the Social-Democrats. It
had a very successful job-placement program. In 1909 when Hitler
got there, the city annual subsidies were cut from 50,000 Kr. to
30,000 Kr. in spite of the vehement protests of Der ArbeiterZeitung.
At that time in Vienna, the minimum taxable annual income was
1200 Kr.

With no money to buy cheap food at Meidling, Hitler very often had
"to call on Kathie", the Superior of a nearby Convent that was
giving away warm soup to indigents. In this desolate place, Adolf
met a bum called Reinhold Hanish who lived there under the name
of Fritz Walter and had spent 3 months in jail in 1907 in Berlin for
theft and 6 months in 1908 for forgery. But he was good at
convincing Hitler to sell his painting talents when Hitler introduced
himself as an "artist". Contrary to a very widespread opinion,
Hanish was not Jewish but Christian and rather anti-semite
himself. Hitler once more borrowed money (50 Kr.) from his aunt
Johannah to buy some painting material from a public pawn shop
called the Dorotheum and started the business of copying
postcards and offering them to Art galleries generally run by Jews.
On average, Hanish got 5 to 10 Kr. for each painting from the
dealers that he split with Adolf. In February 1910, the business was
doing so well that both of them moved to a better night asylum in
Brittgenau called Mannerheim that could lodge 500 men and
where the pension costed only 1/2 Kr per day.

Hitler's looks improved and he started to grow whiskers that made him resemble South Afrikaner
Paul Kruger to the point that it became his nickname. Until 1914, Hitler was going to lead that sort of
misfit life: five long years of wandering, vain weak attempts to make a name for himself, troubles
with the police and the justice; solitude will be his daily bread. These troubling traits will shape the
character of the future Chancellor of the Third Reich who will become the Terror of the XXth century.
Contrary to misconceptions about his life in Vienna, Hitler tried to make a living from his paintings,
but lacking the wild committment of real artists. Hitler once pretended to have painted or drawn over
a thousand watercolors, sketches or posters during those years. He even tried scientific and
architectural drawing, opera composing and writing. Most of his works are currently owned by the
US Government and stored in Washington: the US Federal Government refused a restitution demand
by Federal Germany due to pressure from Jewish associations.
Degenerated capitalist bourgeoisie and parasitic Jewry

Refused by the establishment of the Fine Arts, Hitler resented his
failure as a sign of the mediocrity of the ruling classes and not of his
own talents. He spent most of those five years in Vienna reading in
the numerous elegant bars of the capital: a very fast reader gifted
with a fantastic memory, Hitler was a reading sponge capable to
assimilate more or less intelligently anything: newspapers, political
essays, biographies, and tracts. He actually had the attitude of a
starving autodidact and it is during this period of his life that Hitler
put into place his ideas of a new and different world order. The most
influential of his readings seemed to have been a maverick and
esoteric magazine called
OSTARA that promoted racial doctrine, the
primacy of Aryan people vs. ape people, provided a cosmic system
for the solution of every human problems and was published by a nut
named Lanz von Liebenfels. When he moved to Mannerheim (right)
Hitler took from the shop of Lanz a complete collection of 50 copies
of the magazine.

Influenced by publications like this, Hitler's vision of a different world
will thus became that of a pan-Germany world without Austria and a
purged Vienna, this modern Sodom and Gomorrha, where (he
thought) a degenerated capitalist bourgeoisie was frolicking with a
parasitic Jewry in a disgusting and continuous orgasm of pleasures,
corruptions and wastes.

However Hitler (who was no stranger to deep contradictions), spent
long hours at the concert or at the opera. His favorites were
Wagner's "Master Singers" and "Lohengrin", which he saw ten
times and whose libretto he knew by heart. He had a penchant for
Mozart but loathed the frivolous French Gounod and Italian Verdi,
symbols of Latin amorality, as he would later state. Nevertheless, he
appreciated the Jews Felix Mendelssohn and Gustav Mahler (Mahler
was christened a Catholic but was from Jewish background) and
held in high esteem the Jewish apostate and poet Heinrich Heine.
Brigitte Hamann, a scholar who has written the most authoritative
study of Hitler’s early  years in Vienna (2), tells that the conductor at
the time (1906) where Hitler was listening to Wagner's operas was
Gustav Mahler, the charismatic Jewish emperor of musical Vienna
(3). Therefore, Hitler saw in front of him, on one of his first nights in
Vienna, Mahler whom, according to Kubizek, he loved,
respected and admired.
                                       An indecisive young man

In many respects his entourage considered Hitler as an indecisive young man, not prone to
continuous efforts and notably frustrated in his ambitions. Some of his colleagues used to say that he
was not reading to learn something but exclusively to justify ideas, prejudices or pre-conceptions. He
was not analyzing, they said, he was taking from the material what he was already predisposed to
know to justify his own ideas. Hitler never bothered to serious reading : he developed his method of
appropriating knowledge and his "Weltanschauung" (own vision of the world) by memorizing other
sources verbatim and internalizing them as his own opinions. Christa Schroder, one of his private
secretaries during the war, said in her Memoirs that she indentified once "a downright philosophical
teatise " by Hitler as a mere "rendition of a page of Schopenhauer".

In doing this, he was preparing himself to base his judgments exclusively on irrational and effective
factors and to wrap the whole in a false appearance of intellectual argumentation. One night in
Mannerheim, one of the lodgers interrupted one of his tirades to tell him he was "a reactionary
swine." But on average he was respected by those uneducated men who did not even  had a first
grade in a Realschule, appreciated his good manners, his reserve and were impressed by his
aloofness. Hitler had  violent outbursts of anger when he was contradicted or unnerved by a political
comment but the rest of the time he was generally calm and polite. However Hitler was not taken
seriously by his comrades at the Mannerheim as a little incident showed : one evening, he was talking
about Schopenhauer, and an old gentleman that the inmates called the professor asked Hitler if he
had ever read Schopenhauer. Hitler turned crimson and said that he had read some. The old
gentleman said that he should speak about things that he understood. After that Hitler was careful not
to talk where he would suffer a fresh rebuke.

The association with Hanish was successful for some time and Hanish honored his promises but he
rapidly grew weary of Hitler's pathological laziness: as soon as a big order was delivered, Hitler
stopped working hard and laid on his bed, reading or ranting for days or getting involved in Politics.
Furthermore Hanish grew leary of Hitler : "Once I told him, he wrote in his "Memoirs" published before
the war, to Hitler's great dismay, that he was no artist. The sort of work he did wasn't the work of
artists but of daubers. He could never stand any criticism of his paintings."

Once Hitler painted a picture of sea surf, with some rocks, and handed it to Hanish telling to take it to
Mr. Ebedeser on the
Opernring. Mr. Ebedeser only said, "That's nothing, absolutely nothing." Then
Hanish often went with Hitler to the City Hall Museum and showed him watercolors that he might use
as models. Hitler picked out those of lesser quality and remarked that they were no better than his. So
Hanish told him that he must not take the worst examples but look at something by Richard Moser or
by Rudolf von Alt. He pointed out the easy manner of this painting and compared the heavy way Hitler's
turned out. Hitler wouldn't listen to that.
        Hanish wondered whether Hitler was not a Jew

At this period, Hitler was not yet an overt anti-semitic ; many of his
friends or acquaintances were Jewish and he even painted a
postcard for Dr. Bloch on the back of which he showed his
gratitude for the concern and the care given to his dear mother.
Hanish even wondered whether Hitler was not a Jew himself
because "his beard was very bushy and his feet as wide as those
of the wandering Jews in the desert." According to Hanish's "I was
Hitler's Buddy" published before the war, Hitler was then far from
being anti-semite : he appreciated the Jewish art dealers much
more than the Christian dealers, like the frame manufacturer
Schiefer in the Schumlenbrunnerstrasse, who didn't pay any better
than the Jews. Besides, they only bought again when they had
disposed of the first lot, while the Jewish dealers continued to buy
whether they had sold anything or not.

Hitler often said that it was only with the Jews that one could do
business, because only they were willing to take chances. They
were really the most efficient business men. He also appreciated
the charitable spirit of the Jews, and mentioned the statesman
Sonnenfels during Maria Theresa's reign. He went even further. For
instance, when the people in the asylum expressed resentment at
Queen Elizabeth's erecting a monument to Heine on her estate at
Corfu, Hitler argued that it was sad that Heine's fatherland did not
similarly recognize his merit. Hitler himself didn't agree with
Heine's views but his poetry deserved respect.
Finally, the partnership with Hanish lasted a few months and ended in bitter acrimony : Hitler sued his ex-partner
and testified against him in Court. Hanish was jailed for some days not because of any fraud but because he had
lied about his real identity and registered to the Viennese police under a false name. In the 30s, Hanish became a
celebrity giving interviews about his life with Hitler and selling fake paintings by Hitler that he will prudently sign "
A.H." instead of A.Hitler. In July 1933, he was jailed for forgery for a few days and in August he gave an interview
to the "Wiener Sonn und Montagszeitung" describing Hitler as a bum in Vienna. It was Hanish -who hated Hitler
since 1909 when he was jailed for a few days because of Hitler testimony in a fight about the proceeds of one of
Hitler's paintings- who revealed to the public that the Fuehrer had lived for years in the men's hostel in Vienna.
Hanish spoke also to the writer
Rudolf Olden who published in 1935 the first biography of Hitler in Amsterdam. It
was he too who told the journalist
Konrad Heiden that der Fuehrer failed twice the exam to the School of Visual
Art, thus considerably impairing Hitler's repute and aura. In 1936, Hanish was once more arrested and jailed in
the Vienna County Court where he died on February 4th 1937 alledgedly of heart failure.

In 1939, the american New Republic published a posthumous "
I was Hitler's buddy" where Hitler is depicted as a
liar, a cheater and resentful associate. Actually, it seems that Hanish - who was not Jewish- turned out to be
jealous of another patron at Mannerheim, a Jew called Josef Neumann, 11 years older than Hitler, who had a
greater influence upon Hitler and would also sell some Hitler's paintings. Neumann left the hostel in July 1910.
Von Schönerer went as far as to propose a segregationist law
against the Jews based on the model of North American
"Legislation against the Negroes". He was the first Austrian to
advocate "anschluss" (union) of the two german states into one
German Reich. He hated the cosmopolitan Hapsburg and as soon as
1885 he had proclaimed anti-semitism "the pillar of a true folkish
mentality and thus the greatest achievement of this century." Hitler
adopted most of his ideas but prudently in the 1920s took some
distance with his anti-catholic views to focus on a campaign against
the Jews.
Enjoying the life in Mannerheim

After his parting with Hanish, Hitler
pursued his business on his own,
happy not to have to split anymore
the proceeds of his trade with
Hanish. He eventually enjoyed his
stay at Mannerheim where he was
considered as an old timer and could
read and paint from the reading room
without to worry about the bad
Viennese weather. At the same time
he started to develop a sort of social
conscience through his assiduity in
attending political meetings, notably
those held by two notorious
anti-semitic speakers, the aristocrat
MP Georg von   Schöenerer who
spread the seeds of a violent
anti-semitism in Austria and the
Catholic mayor of Vienna Karl Lueger
,founder of the Christian Social Party,
pioneer of a socialist policy for
Vienna and a violent anti-Marxist.
Although politically arch-enemies, both men, Schönerer and
Lueger, were young Hitler's first idols which indicates for Hitler
a good degree of political independence.

In 1908 when Hitler arrived in Vienna, Schönerer is politically
dead but his ideas and views still have a lot of followers. Lueger
who hated the pan-German movement and was faithful to the
Dual Monarchy attracted Hitler for his anti-semitism and his
talents of administrator. Hitler admired him : he even attended
Lueger's funerals in 1911 whom he described as "the greatest
German mayor of all times." The death of Lueger dragged Hitler
in politics although he was not yet, in 1911, openly anti-semitic
but rather a pan-Germanist.

In "Mein Kampf", Hitler took some distance with Lueger whom
he found not racist or radical enough :"Lacking was the
conviction that this was a vital question for all humanity with
the fate of all non-jewish people depending on its solution."
Actually, even Schönerer lost in the early 1900s some of his
lustre and Hitler took his distances with his hysterical and
almost terrorist Alldeutsches Partei (Pan-German Party) whom
he judged not Germanic enough. However both men had a
strong influence upon Hitler. As for Lueger, in a country beset
by ethnic rivalries, unemployment, inflation, a paralysed
Parliament and a "blundering along" monarch, the mayor of
Vienna -who was brilliant, handsome, energetic and a great
achiever- shone so brightly that the rest of the political life
looked gloomy and void. Hitler was extremely fond of Lueger
and wrote in Mein Kampf "Vienna was the heart of the
monarchy ; from this city, the last flush of life flowed out into
the sickly, old body of the crumbling empire."

       A sexual pervert indifferent to women

Far away from politics, viennese police archives of 1910
classified Hitler as a sexual pervert without elaborating or giving
any evidence. Given the methods of the police at the turn of the
century, this mention does not mean anything: however it might
be an innuendo or a reference to Hitler's favorite sexual
practice, voyeurism, because the rest of his life reveals such a
penchant. Hitler often complained to have then led the life of an
underdog but he never gave more information about his
whereabouts and his shenanigans. Once he left the Mannerheim
with his Jewish friend Josef Neumann to come back some days
later without any comments : questioned by Hanish, he refused
to provide any details about their escapade . One thing is sure, if
Hitler did not enjoy Vienna's night life, he read a lot: gifted with
a phenomenal memory and able to laser read 5 lines at one time,
he accumulated knowledge and references, notably thanks to a
certain
Ernst Pretzche, in whose bookshop the future Fuhrer
found a second home and where he discovered the esoteric
magazine OSTARA published by the fanatical anti-Semite Georg
von Liebenfels and a lot of other racist and pan-german
publications.
















In any case, one thing is sure: the poverty in which Hitler lived
from 1910 to 1913 was not the best way to become a
successful artist or a local don Juan. His friend August Kubizek
with whom he shared a lodging in 1908 during his first year in
Vienna wrote in The young Hitler I knew that Hitler pleased
older women and used to received "billet gallants" (invitations to
love) from older women when they were at the Opera or in a
Cafe but Hitler always turned them down or ignored their
invitations.
                Escape to Munich

Finally in November 1912, according to Bridget Hitler's dubious
"Memoirs", wanted by the police, upset with "incestuous
Vienna and decadent Austria" which had ignored his ambitions
and despised his talents, Hitler left the Mannerheim pension
and Vienna for good and he suddently appeared in Liverpool in
place of Leo Raubal and his wife Angela, Alois Jr.'s sister, who
were expected by the Hitlers to discuss a new commercial
venture (4): he would have stayed there 4 or 5 months,
haunting the docks. A completely bogus story.
In fact, Hitler never made it to Liverpool but stayed at Mannerheim until May
1913. He had met in February another young lodger called Rudolf Hausler,
four years his cadet who has been thrown out of paternal roof for some
prank at school. Hitler developed a friendship with this younger fellow and in
May he convinced him to leave for Munich after the Austrian District Court
decreed that the paternal inheritance be disbursed to the "artist" Adolf Hitler
in Vienna. The money amounted to some 819 Kr and 98 Heller, a huge sum
for the time. On May 24, 1913, Hitler and his new pal noticed the police they
were moving and shared a room at 34 Schleissheimer Strasse at a Mr and
Mrs Popp, tailor. They registered with the police but Hitler falsely stated he
had no nationality.

The stay in Munich was not easy and both men had difficult days.
Furthermore, Rudolf was not the easy-going guy ready like Kubizez to listen
all night to the rantings of his friend and Hitler resented it. Eventually, the
Austrian police caught up with him and he had to go back to Salzburg for a
medical exam prior to draft. On February 15, 1914 he was finally exempted
from military service. The same day, Rudolf took a room of his own. He
continued however to sell Hitler's paintings and got by doing odd jobs. He
never wrote anything about his friendship with der Fuhrer.

Both men lived in Munich until the declaration of War in 1914 not too
successful in their trade making no significant breakthrough. Munich's art
market was smaller than Vienne's and was already influenced by the likes of
Kandinsky whom Hitler immediately disliked. However as Hitler learned the
in-and-outs of the Munich art business, his paintings began bringing in 10 to
25 marks apiece and he sold all he could paint. Since a bank clerk of his age
made about 70 marks a month while many metal workers, with families to
provide for, made less than 100 marks a month, his living as an artist was
bearable but success was not there. Eventually it was quite a relief to him
that War broke out in August 1914 and he fell on his knees to welcome the
forthcoming massacre, an attitude that does not vindicate his clairvoyance
and his analytical capacities but well in the Viennese
Zeitgeist (spirit of the
time).

However he had accumulated during his Viennese years a sort of
pseudo-intellectual baggage that he will describe later in Mein Kampf as "an
image of the world and a vision of life that will be the granite foundation to
build my actions upon." (sic) It actually was a sad and meager baggage for a
24 years old man who has achieved so far nothing in his life but he was not
ashamed to call that his "Weltauschuung". Great leaders have no small
shames.

In conclusion, an anecdote that tells all. During his short-lived partnership
with Hanish, Hitler came out one summer day with the curious idea to sell to
the galleries in Vienna an anti-freeze gel whose properties were to prevent
windows to block during winter time. To Hanish who objected that nobody
would buy a gel like this in July, Hitler responded that "in this case, one
needs to display some oratory talent." As soon as 1910, Hitler the
demagogue was boring his way under Hitler the failed artist. In 1919, a
vainquished and humiliated Germany -on the soil of which no allied soldiers
ever put their feet- will offer the demagogue-artist the springboard he has
been expecting for so many years and propel him towards a future of
madness, hatred and destruction.
(1) In the English version, "The Young Hitler I knew", Houghton-Mifflin 1955.

(2) Hitler's Vienna. A dictator's Apprenticeship, Oxford. 1999

(3) According to Alex Ross of  
The New York Times, Hamann could not in her book
provide the name of Mahler because "she did not bother to ask the company"
which of course he did. Deprecating Mr. Ross should better read Mrs Hamann's
book (or maybe  read it) because everything about Mahler is mentioned in it
including the day when Mahler conducted a performance of "Tristan" that Hitler
certainly attended. The arrogance of those NY Times critics is sometimes
unbearable

(4) Bridget Hitler wrote in her unfinished "Memoirs" published in 1979 by
Duckworth (Dallas) that Hitler stayed with them in Liverpool in 1912-13. However
historians have always refused to consider her testimony as a reliable source.
They generally branded it as false, made up and inflated and they pointed out that
Hitler never mentioned to anybody his stay in England. Bridget pretended in her
manuscript that Alois Hitler had paid the travel expenses from Austria to Liverpool
to the Raubals to discuss a new commercial venture in the safety razors
business. They were expecting the Raubals in november 1912 and what was their
surprise when they welcomed at the Liverpool Station Adolf Hitler himself in lieu
de Leo and Angela Raubal.

The authenticity of Hitler's coming to England has always been refuted by
historians. Some say that Hitler never mentioned his stay in England to anybody. In
fact, he was then dodging the draft and it is remotely possible that he had found
that way out to avoid being drafted in the army of a nation he hated.

But there is an other reason to believe that Mrs Alois Hitler totally made up this
episode of Hitler's life : Leo Raubal could not have planned to come to Liverpool in
november 1912 for the good reason that he had passed away in 1910. It is higly
probable that the Alois Jr. Hitlers never saw the shadow of Adolf in Liverpool.
Klara died of cancer in December
1907 aged 47, a very sad time for
Adolf. Her grave and her
husband's are  in Leonding, Austria.
Her teenaged children, Adolf and
Paula, were  at her side.
Klara Hitler 1860-1907
Even after WW2  Kubizek  remained the best of all
friends and never talked down his friend Adolf or
their ancient friendship.
Alfred Roller, Vienna's most
famous stage designer, used to
work with Gustav Mahler, and
would have gladly received
Hitler, had the young man
dared to knock at his door
Hitler alledged family  house  in Linz,  Austria
Hitler  in Vienna, self portrait
Those  watercolours are
the ones that Hitler
painted most while he was
in his early years in
Vienna.
They are generally
inspired by postcards and
do not reveal a huge
talent. With the  years
Hitler will improve his
drawing and his sense of
colour will get better but
still the poverty of what he
represents is blatant.
Mannerheim was a boarding house where Hitler
stayed more or less permanently between 1909
and 1913. This is a recent picture but the floor
plan of the rooms was the same in the 1900's.
Patrons could enjoy a private bedroom and a hot
meal at night but they had to leave their room in
the morning as they were supposed to have a
job. It was located at 27 Meldemannstrasse and
opened in 1905. IT was a model pension
financed mainly by Emperor Franz Josef charity
fund and subsidies from Nathaniel Rothschild
and the Gutmann family. It could accomodate 544
guests, had excellent hygienic conditions and
the rent for one sleeping place was 2,5 Kr./week,
an amount that a single handiman or craftsman
with an annual income of 1,000 Kronen could
afford. There were 16 showers and 4 bathtubs,
one bath costed 5 Heller and it had a house
doctor. The guests were predominantly laborers
and handimen (70%) and 70% also were under
35 years old while 45% were from Lower Austria
or Vienna. Women were not admitted  even for a
vi
sit.
The memory of his
father's refusal to let
him pursue  art studies  
will haunt Hitler all  his
life.
Even when he did not have any money Hitler
managed to attend Wagner's Operas in Vienna. He
saw Lohengrin at least ten times and was  never tired
of it.  Later he will become a fanatic supporter of  
Wagner's widow, the English born Winifred.
Hitler was a born
comedian and he did
not take much to
make of him a very good
actor and orator.  
Entranced by Wagner's
operas as a bum in
Vienna, once a
politician he was carried
away by his own
speeches and could
literally be drugged by
his own vociferations
Hitler's watercolours are not all bad or mediocre,
however the best ones represent  houses or castles
as Hitler had undeniably an eye for architectural
forms. But his talent for composition, colours and
innovation has still to be demonstrated.
In 1912 he failed to show up for the third time at the
medical examination prior to military draft and he was wanted
by the police to answer to an accusation of theft and he was
technically and legally a deserter. During those years he
seems to have had no love affairs, nor homosexual habits
even if some historians pretend the contrary. Hitler used to
sleep from 1910 to 1913 in night asylums where a bunch of
young and impoverished men used to indulge into
homosexuality but it does not make him a gay. If Hitler allowed
himself into some homosexual intercourses during these
years, nobody has ever come out from the closet to tell us. It
is better to assume that Hitler stuck to his idea that
"pederasty was against na
ture."
As explained in the chapter "Hitler's artistic
drive", Hitler was fascinated by
greco-roman architecture that was the
canon of architectural beauty. Nothing
could change his mind.
The aristocrat MP
Georg von Schöenerer
spread the seeds of a
violent anti-semitism
in Austria
Hitler admirer  Luger,
mayor of Vienna who was
a rabid anti-semite and
he even attended Luger's
funeral in 1911.
Rudolf Häusler, born in 1893,
was  student in pharmacy
when he came to Mannerheim
in February 1913. Hitler took
him under his  protection and
rapidly convinced him to
leave Vienna for Munich.
Both left the men's hostel in
May 1913 for Münich but
Häusler was no Kubizek and
the association did not last
long.
A Richard Wagner fanatic
under the music of anti-semitic politicians